Welcome
Some things catch your eye before you can explain why: a photograph, a room, the way someone dresses, a song coming through an open door. That is a good place to start. Stay with it long enough to find out what, exactly, you noticed.
The big one
Learn to name what you like
Open the folder where you save things. A restaurant, a photograph of a woman, a jacket, a car, a hotel room, a film still. They look unrelated until you ask better questions. Is it the light? The color? Her expression? The feeling that the people in the picture are having a better night than you?
That is where taste starts. You do not need to buy what you admire. You need to know which part you admire. A room might work because of one warm lamp and the distance between two chairs. The expensive part may have nothing to do with it.
Spend more time with fewer references. Put two photographs side by side and notice where your eye goes first. Listen to an album start to finish. Visit the same bar in daylight and after dark. The closer you look, the more particular you get.
Beauty moves. A still photograph cannot show how a woman listens, laughs, or walks into a room. When we feature women here, that is the point: give those qualities room. A face gets your attention. A point of view keeps it.
A face gets your attention. A point of view keeps it.
The same goes for you. Clothes should let you move. Your photographs should look like moments from a life you actually live. Find a few things you like enough to wear on repeat and learn what fits.
Say why you like something in plain words. “The light makes everyone look good” is an observation. “This chair makes me want another drink” is useful. Borrowed status words hide the fact that you have not decided anything yourself.
Give it a budget and give it time. Taste can improve a cheap dinner, a small apartment, the walk you take every day. Get one detail right, then the next. And let yourself change your mind. Curiosity is what keeps an eye sharp.
After Hours
An adult woman with a strong eye for clothes, photography, music, or interiors.
Cover portrait and two frames chosen with her: a full portrait and a detail or personality shot. Licensed for web, email and social.
- Choose three favorites. What are they?
- What do you see in each one?
- What do people get wrong about you when they only see the photographs?
- Have you ever been jealous of a friend? What happened?
Her answers, 100 to 180 words, as she wrote them, plus a 60-word introduction from Ricardo on what caught his attention. Ask about her own experience; she is free to disagree with us. Follow up on boundaries, reciprocity and how it actually works. Credit her and the photographer; link the work she wants seen.
The Scene
Original photograph of the place.
Ricardo on the moment he learned what good taste meant to him: a room, a person, or a picture, told as it happened. 150 to 250 words, with one original detail photograph.
The Move
Your reference shelf
Save five images you love. For each one, write a sentence about the light, a sentence about the mood, and one detail you could actually use. End with a decision: a place to visit, an outfit to try, a photograph to take, or a room to rearrange.
Good Taste
The photograph you keep
Look for an expression, an interaction, or a small piece of context worth remembering. Before you take another twenty frames, change where you are standing. Let the picture say something about the occasion. Ask before you share someone else’s private moment.
Short Game
- Explain what you like without mentioning what it cost.
- One warm lamp beats an expensive room.
- Before twenty more frames, change where you stand.
- Wear the good thing often.
- Ask before you post someone else’s moment.
Your turn
Send one reference you love and tell us what you see in it. A room, a cover, a photograph, anything.
Subscribe and hit reply on the email. The best answers run in a later edition, first names only, with your permission.
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Ricardo’s dating guides, the ones readers already bought, live on Gumroad. Updated editions are on his list.
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